Every once in a while..well you know the drill
Whereas most 14/15/16-year-olds may have written fan letters to their sports
players, actors, or pop music idols, I wrote letters to members of
indie rock bands. Yeah, my music geek roots run pretty deep.
I
would get the addresses of the LP jackets or cassette inserts, write
out carefully handwritten letters, seal them, send them out, and wait
patiently for replies.
I
can't remember exactly how I first heard of the Hoboken, New Jersey band The Feelies but it
probably has to do with R.E.M. guitarist Peter Buck co-producing their
1986 The Good Earth album. Soon The Good Earth and
1988's Only Life, the only
two Feelies records I was aware of at that time, were
two of my favorite albums, always in heavy rotation.
Along
with The Feelies, at the time two of my favorite indie rock
discoveries at the time were Boston's Galaxie 500 who had just
released the awesome On Fire album, and New Zealand's The
Chills. One day I decided the three bands would be the next victims
of my music geek letter-writing.
I never heard back from Galaxie 500 or The Chills, I chalked it up to
the
But
The Feelies actually wrote back. The letter was written by drummer
Stanley Demeski
He said that when he joined the
band it was decided he would be the one responsible for all the fan
mail the band received. He said my letter was their very first one.
In
the letter, he expressed how thrilled he and the rest of the band were
that someone had taken the time to write to them. He included a
Coyote Records press release for the band. It was in the press
release that I first learned the band was taken from a device in
Brave New World by Aldous Huxley. I made a mental note to pick up a copy at the Crown Books next to the Kemp Mill Records store in town. I also had no idea the band had
actually all but split up in the early 80's, playing together in
various musical projects, before reforming and recording The
Good Earth This was
about when Stanley Demeski joined on drums,
The Feelies performing in "Something Wild" |
One
of the most important things the press release informed me (plus radio stations and live venues the release was intended for) was that The
Feelies actually had another album. Their debut album Crazy
Rhythms was
originally released in 1980 but at the point the press release was written it was long out of print. Even then the album was considered
a classic. I would go on to try and find a decently-priced copy. Finally, in 1990 A&M re-released it on compact disc
In 1991 I had the opportunity to buy my first "new" album by The Feelies when they released Time for a Witness,
The music found on the disc really broke no new ground but
it was by far a disappointment either. Time for a Witness has some awesome revved-up songs toward "Waiting" at track 1, with its smooth guitar groove during the chorus, "Time for a Witness" with a slight jangle added track, and "Sooner or Later, containing one of my favorite lyrics ("I don't know what's up ahead, Don't think too much, it'll hurt your head") at track 3.
The band also continues paying tribute to their music
forefathers with the Velvet Underground influenced "Decide" at track 5 and early Rolling Stones inspired "What She Said", as well as what I thought as their totally own sound on "Invitation", a song that would fit perfectly right on The Good Earth
One big surprise of the album is "Doing it Again" at track 6. The song sounds very similar to the Jackson Browne classic "Somebody's Baby". I'm not sure if this was intended by the band or just an accidental coincidence. I'm also surprised in all these years no one besides me has ever called the band out on it.
Continuing to pay tribute to their influence (they covered The Velvet Underground's "What Goes On" on the previous album) The Feelies close the album with an amped-up cover of The Stooges "Real Cool Time", which may have been the first time I was aware of hearing the classic but at the time pretty unavailable band
The music found on the disc really broke no new ground but
"Sooner or Later" promo 12" |
The band also continues paying tribute to their music
One big surprise of the album is "Doing it Again" at track 6. The song sounds very similar to the Jackson Browne classic "Somebody's Baby". I'm not sure if this was intended by the band or just an accidental coincidence. I'm also surprised in all these years no one besides me has ever called the band out on it.
Continuing to pay tribute to their influence (they covered The Velvet Underground's "What Goes On" on the previous album) The Feelies close the album with an amped-up cover of The Stooges "Real Cool Time", which may have been the first time I was aware of hearing the classic but at the time pretty unavailable band
Unfortunately, Time for a Witness would be the last album the band would release, The band went on hiatus, Later reforming for post-2000 to play sporadic shows (I caught them in Battery Park opening for Sonic Youth on July 4th, 2008) before releasing their Time for a Witness followup Here in 2011.
But The Feelies hiatus did not leave this now 18-year-old music geek too upset because right around the same time both Galaxie 500 and The Chills called it a day too. Galaxie 50 's singer/guitarist Dean Wareham would form a new band with The Chills bassist Justin Harwood, and my old pen pal Stanley Demeski on drums.
Years later Dean Warhem would retweet a tweet I made about an upcoming Luna concert. I consider it my long overdue reply.
The Feelies performing "Doin' it Again" on David Letterman in 1991
Years later Dean Warhem would retweet a tweet I made about an upcoming Luna concert. I consider it my long overdue reply.
The Feelies performing "Doin' it Again" on David Letterman in 1991