Painted Pictures On Silence

A Positive Music Blog

Monday, March 21, 2022

How an Obscure Canadian Hip-Hop Band Helped Form a Music Friendship

 In 1991 I was not a huge hip/hop or rap fan at all. The only hip/hop or rap albums in my collection consisted of the bigger names like Beastie Boys, LL Cool J, Public Enemy, Ice-T, or "Alternative Hip-Hop" like Tribe Called Quest and De La Soul, 

Then one afternoon on the local "Alternative Music" station WHFS's new music spotlight, I heard the second half of a hip/hop song, with smooth vocals that sampled a very familiar bassline, reminding me of a marching band.

 A few days later I heard the complete song. When the song ended the DJ followed up saying the name of the song was "Wash Your Face in My Sink" and the band was called The Dream Warriors. I made a note to check out the album the next time I was at a record store. 

A little later I found a quick blurb about the band in either Rolling Stone or Spin Magazine which said the band was...Canadian? They were from Ontario to be exact. 

Soon I found a cassette copy of the Dream Warrior's album And Now The Legacy Begins. 

Pressing play on the tape deck I found 13 songs of laid-back hip/hop similar to Tribe Called Quest or De La Soul. The band's style contained elements of many different types of music including jazz ("Wash Your Face In My Sink", "Follow Me Not"), reggae ("You Could Get Arrested"), and old school ("Face in the Basin"). There was also a "scary" tune in "Twelve Sided Dice", which sampled the theme of the Haunted Mansion at Walt Disney World. 




Half a year or so later I found myself in my first semester at Long Island University- C.W. Post Campus with an hour-long radio show. It was college radio, probably the only time you would ever have carte blanche to play whatever you want. As long as there was no "foul language" of course.

 
Because I had no idea how much space my dorm room would have, most of my CDs and all of my records were still back home in Maryland. Luckily the station had plenty of CDs and a whole wall full of LPs. Most of the LPs were more hard rock, thrash, or other metal the station had been known for in the '80s but there was plenty of alternative rock, punk, hardcore, and more titles spread out among them. I was given a whole hour to play them.

I posted flyers advertising my show all over campus. 

At LIU-C.W. Post Campus, or "Post" for short, the school put all the freshmen in one of three dorms on "The Quad". Each one is named after a county in New York, like Kings Hall or Queens Hall. I was in Nassau Hall. 

With everyone in the same boat as far as being away from school for the
first time, for at least that first semester, the camaraderie among the students was strong. Almost everyone hung out together, got drunk, or whatever.

One of the guys on my floor of the dorm who was not really hanging out with everyone else was this guy named Dave. He just happened to be the only African-American student in the hallway. In fact, no one was really paying much attention to this guy at all. Except for maybe one of the guys in the triple down the end of the hall who every time he passed would speak to him in an almost demeaning way using exaggerated stereotypical ethnic jargon like "Yo, what up, what up?" or "Hey Homey, gimme some skin". Honestly, it was actually a lot worse than this but can't properly be relayed here.

I felt bad this guy was getting such a cold shoulder from almost the whole hallway. My parents had always taught me that when I did leave Columbia, MD, the world would not be inclusive to all races and religions like Columbia was. Be ready for it. Still, I didn't realize how blatantly obvious this would be almost right away. 

The problem was I, who was raised in the all-inclusive melting pot of Columbia, Maryland, wasn't making much of an effort either. I wanted to change that but except for maybe a nod "What's up" as we passed in the hallway, I just couldn't find an in. 

Then one day while passing by Dave's room I heard a familiar


bassline coming out of it. It was The Dream Warriors' "Wash Your Face in My Sink". 

Finally, I saw that "in". 

Poking my head in I asked, " Is that the Dream Warriors?"

Dave looked up, with a surprised look on his face. I am not sure if it was because someone else in the dorm recognized the obscure rap band's song or because someone in the dorm was talking to him, 

Shaking the surprised look on his face, Dave says. "Yeah! These guys are one of my favorite new bands. Can you believe they are from Canada?". 

I said, "Me too. Found out about them just a few months back. I have the album on a cassette back home".

"Cassette?', Dave says, " Then you haven't heard the awesome remix on this 12" single". 

As he flipped the record over I glanced around Dave's half of his dorm room. He had a seriously intense record collection in his dorm room. Tons of rap, hip-hop, jazz, and some rock albums. He also had 12" singles of many individual songs. It made me seriously miss having access to my own collection, which was still down in Maryland. 

We talked about how each of us first learned about The Dream Warriors. It may have been just a quick conversation about a soon to once again be obscure Canadian rap band but it was all that was needed to break the ice. 

After that, it wasn't a quick head nod in the hallway. Now when we were both hanging around the dorm Dave and I would tell each other about new albums we had bought or show we attended. Soon other students in the dorm would join in on our conversations. 





As the year went on people dropped their radio shows. At first, everyone was all gung ho to be on there but instead started concentrating on different social activities around campus. I'd say some even might have left to concentrate on their studies but this was C.W. Post after all.

My one-hour 6pm to 7pm show, named "The Fuzzy Blast" after a Dinosaur Jr bootleg live cassette (which I still have 30 years) soon became a 5 to 7 show. 

One day as I was packing up the CDs and LPs I had played on





the show, placing the ones owned by the stations back on the LP racks, I turned around and saw Dave walk into the studio with a stack of LPs and 12" singles under his arm. 

I said to him, "Hey, you have a show here too?"

He answered, "Yeah, It's 8pm to 10 pm. It used to be only 9 to 10 but you know how things go here"

"What kind of music do you play on the show?" 

Dave put down the stack of vinyl from under his arm and said with a sly look, "Smooth Jazz and R&B"

I let Dave know I would check out the show as soon as I got back to the dorm. 

In between our two shows, from 7pm to 8 pm there was a guy named Chris who would play an hour of different hard rock power ballads dedicating each one to a different girl he knew on campus. 

One day he didn't show up for his time slot.

When my show ended I asked the station manager, "So what happened to Chris?". 


The station manager said, "He called me up over the weekend. Said he wasn't going to be doing his show anymore. He said ran out of girls to dedicate the songs to".

Then Dave came in with a whole new stack of records under his arm. 

The station manager says, "Since you guys each have a show on either side of Chris's one of you can have that time slot too"

Neither of us wanted the slot for fear that a three-hour show would just burn us out too fast.

Then the station manager said, "Why don't you both do it? You could switch off the style of music for each song. Josh plays one. Dave Plays one. And on and on". Then he added, "Maybe you will possibly expose and convert someone to like a new kind of music". 

Dave and I looked at each other. Why did we not think of that?

So we did. 

Each week between our own personal shows. we would


do an hour together switching off each song. Soon we had a theme: One of us would play a song by a band and he would match it with a similar name. It would be the Stylistics followed by The Style Council. Al Green was followed by Gang Green, Chaka Kahn followed by Kon Kan. Dr. Hook followed by Dr. Know, Sly, and the Family Stone followed by The Stone Roses. And on and on and on.

It was a lot of fun. Hopefully, someone out there discovered some cool new music they otherwise wouldn't have been exposed to. 


Then one day during our last show of the year, as The Four Tops was finishing their follow-up to Gang of Four, Dave pulled out an LP  and said, "I've got a surprise for you". 

The needle goes on the record. That familiar bassline came over the speaker. The bassline I first heard coming down the hall. The bassline I first heard over the radio that afternoon a year ago. 


It was the bassline from the Dream Warrior's "Wash Your Face In My Sink". Only this time a whole orchestra soon chimed in. 

Dave held up the record jacket. It was Count Basie: Basie In The Bag, Track #2 "Hang On Sloopy". the Count's version of the song made famous by the 60's rock band The McCoys. 

My mind was blown. For a year I had been trying to find out where the Dream Warriors had sampled it from and now I knew.

Once the awe had died down and the "Hang on Sloopy" was coming to an end, I prepared the next record to be played. 

It was "Psychotic Reaction", by The Count Five, of course. 

Soon the school year ended and students returned home for the summer. 

When we came back in the Fall Dave was not there. Since he mentioned the idea a couple times I assume he transferred to another school. Post, in general, had a very high transfer rate. Hopefully, wherever he went they had a dorm that was more accepting. 

Hopefully, it also had an awesome campus radio station. 



 





Saturday, December 25, 2021

Favorite 2021 Music Releases - One Blogger's Opinion




More blog entries in 2022 (a few already in progress) but until then...



My Top-20 Favorite Music Releases of the Year


1. THE BOYS WITH PERPETUAL NERVOUSNESS - Songs for
Another Life - Late 80’s/early 90’s indie-influenced Spanish/Scottish band. Definitely a Feelies vibe (hence the name) but I hear a lot of Connells and Teenage Fanclub in the mix on this album too.



3. CALYX - Stay Gone -Pittsburgh trio led by singer/guitarist Caitlin Bender, playing music that would not be out of place on either of fIREHOSE’s last two albums



4. FRESH - The Summer I Got Good at Guitar Ep - Singer/guitarist Kathryn Woods fronted a Pop/Punk band out of

the UK. Make sure to check out their last couple of albums too.





5. DINOSAUR JR - Sweep Into Space - Another favorite band but I have to say the last couple of albums have been good but more for background music. This one has me right up front and singing along again.


6. AMYL AND THE SNIFFERS - Comfort Me - Steamrolling rock

and roll out of Australia with an unbelievable vocalist named Amy who is not afraid to tell it as it is.



7. CHIME SCHOOL - S/T - Jangly hook-filled indie guitar pop out of San Francisco


8. LOU BARLOW - Reason to Live -

Dinosaur Jr bassist in a quieter yet more intense setting.



9. INSTEP - Demo 2021 - Fast, fuzzy, and melodic sideband of the much heavier Canadian band Gazm. They call themselves “Lifetime (band) worshippers” but I also hear an early Snuff vibe


10. BLACK MIDI - Calvacade - Pretty hard to describe band.

Dillinger Escape Plan reforms as a lounge act? Definitely the strangest release on this list.



11. HARD-ONS - I’m sorry sir, that Riffs Been Taken - an Australian band (long one of my favorites) replaces singer Keish with You and I (who are HUGE down there) singer Tim Rogers and released an album which would be right at home among their 80’s Waterfront/TAANG! Releases.


12. ALIEN BOY - Don’t Know What I Am - Shoegazey Dream

pop with a slightly awkward singer. Out of Portland, OR



13. TURNSTILE - Glow On - Baltimore, the band releases an album leaps and bounds above their previous stuff. The record is impossible to get and their shows sell out in seconds. They were just on Seth Meyers so expect them to blow up even more.


14. NAKED RAYGUN - Over the Overlords - Another long-time

favorite with their first new album in 31 years! So many hooks with plenty of their patented “oh ohs” and “hey, heys”. The day this came out I listened to it about 5 times in a row.



15. THE STRANGLERS - Dark Matters - 18th album of their 40-year punk/pub/new wave/rock/whatever you want to label their career. Definitely, my favorite since Hugh Cornwell left the band years ago


.
16. MEAN JESUS - Noble Ambitions/Survive Eps - Melodic

anthemic hardcore out of Virginia. The two eps share three songs but each has one or two of their own too



17. WAR ON DRUGS - I Don’t Live Here Anymore - Pop/Psych/Americana? I’ve heard this band described a million ways but never really listened to them until now. Also never knew how big they were. They’re playing Madison Square Garden at the end of January


18. BRUTALLIGATORS - This House is Too Big, This House is Too

Small - UK indie/emo/punk who is not nearly as heavy as their name might make you think.




19. THE CORAL - Coral Island - If I made you a tape/CD mix circa 2003/2004 The Coral’s “Dreaming of You” was definitely on there. They have consistently put out very good neo-psychedelic pop-rock albums since. This one is no exception




20. THE MARTHA VINEYARD FERRIES - Suns Out Guns Out -
Shellac/Volcano Suns Weston on bass and Codeine’s Chris Brokaw on drums, along with guitarist Elisha Wiesner create an album with the perfect mixture of hooks and distortion, recalling bands like Jawbox, Tar, Archwelder, or Failure (first album)




Thursday, December 10, 2020

Favorite New Music Releases of 2020

 

My favorite new music releases of 2020.

Listed in the order they were released:





Close Lobsters – Post-Nep Anti: Arte Povera in the Forrest of Symbols (Shelflife)
– Scottish indie/rock release their first album in 31 years. It contains all the smooth vocals and melodic
jangly guitar hooks that made the band stand out from so many others all those years ago. Do not let the very Metal cover art fool you. (Their 1987 song “Let’s Make Some Plans” is in my All-Time Top 10 Favorite Songs)

Wasted Shirt – Fungus 2 (Famous Class)
– Ty Segal and Lightning Bolt’s Brian Chippendale team-up. The music is a bit over the top for Segal and a bit under for Chippendale. (I find it hard to make it through a whole Lightning Bolt album). Prime Touch and Go era Butthole Surfers inspired noise with a few Led Zeppelin riffs here and there. It's hard to keep up with the different bands and material Ty Segal releases but I recommend checking this one out
.


Big Cheese – Punishment Park (Triple B ) – NYHC style

band out of the UK but not like Agnostic Front, Sick of it All, or other big names. Instead, Big Cheese takes its influence from some of the lesser-known NYHC bands like Breakdown, Alone in a Crowd, Outburst, or Straight Ahead. They even managed to capture the slight echo recording style, so many of those bands had.

Dogleg – Melee (Triple Crown)
– I am not really sure what you would label this kind of music Michigan’s Dogleg plays. The band had a conversation with fans on Twitter about this yesterday. Tons of hooks but not “pop/punk”. Loud guitars but not “noise” or “hardcore”. Some seriously powerful anguished vocals singing emotional lyrics but not “emo”.



Fiona Apple- Fetch the Bolt Cutters (Epic) – I have never

been a Fiona Apple fan. I do not think I have owned one album by her. then the title of this album made me curious, so I gave it a listen. Not really rockin’ at all (it is nominated for the “Best Rock Album” Grammy) more of a laid smooth-flowing album with a variety of interesting percussion. It sounds like the musicians were having a ball in the studio. Now it's time to go back and revisit her catalog.

Mikey Erg – Bon Voyage (Stardumb) – After a calmer song-oriented 2019 album Mikey Erg returns to the revved-up pop/punk that made his previous band The Ergs! So much fun. Only 4 songs, 3 originals, and a Beatles cover (“Mother Nature’s Son”) but so many hooks. Just what I needed to hear at the height of 2020 issues.



Nation of Language – Introduction, Presence (Self
Released)
- The New York Duo (?) doing a very good mix of O.M.D, Depeche Mode, and later Roxy Music. Not a clunker among the 10 songs. Make sure to check out their Pixie's cover released separately too.

Territories – When the Day Is Done” (Pirates Press)
- Heartfelt anthemic melodic punk rock out of Ontario, Canada. Somewhere between the punk rock (“Guns of the Revolution”) and power/pop (“China”) of the Red Rockers, with a little early U2 and Stiff Little Fingers mixed in. So good to sing along to. “Quit This City” may be my favorite song of the year. Make sure to check out their previous album and the material of the band Knucklehead, which most of the members came from.

New Found Glory – Forever and Ever x Eternity (Hopeless Records) – NFG dropped

the overproduction of the last 17 years or so, beefed up the guitars and kept the vocals a bit rougher for this one. The songs are faster and heavier. But all songs still manage to maintain their pop hooks.

Hum – Inlet (Earth Analog)
- When Hum surprised everyone with a new album this past summer, I was expecting it to be like the sparse post-rock, ambient almost shoegaze sound of the breakout 1993 Astronaut album and its followers. There is a little of that, but it mainly picks up to the pre-breakout fame sound of their debut album Electra 2000. Layers and layers of tidal waves of guitars. The first song is even titled “Waves”


Paper Mill – Past the Westway (Self-Released)-

Sometimes it pays off to scan through some of the Playlists like “new punk tracks” on Spotify. This is how I find out about this UK band. Gruff vocals over-revved up melodic riffs. Some of these guys were members of a band called Beneath Atlantis, but Paper Mill is a far better band. Looking forward to an upcoming full-length.

Lucy and the Rats – Got Lucky (Dirty Water)
– Female melodic vocals fronted melodic 3-chord power/pop-influenced punk rock out of London, although I think the singer Lucy is Australian. 13 hook-filled songs with a slight surf influence. Perfect theme for this last summer.




Creeper – Sex. Death, and the Infinite Void

(Roadrunner)
– I first heard of this British band when they were listed all the way at the bottom of the poster for 2018’s Reading Festival. Powerful and melodic “horror punk” with a singer who can really belt out the tunes. A.F.I. meets Meatloaf. They will be getting big in 2021. Some members were in a previous more punk band called Our Time Down Here.

Be Well – Weight and the Cost (Equal Vision)
– Brian McTernan, formally frontman of Washington, D.C.’s Battery now known more for his production work, is joined by members of Bane, Darkest Hour, and others for Equal Vision’s best album in years. ‘Weight’ still has many hardcore elements of Brian and co’s past bands but also adds heavy melodic guitars and real singing. Through in some seriously intense lyrics dealing with fatherhood, depression, and more. Such an unbelievably powerful album. Demands to be listened to all the way through each time.

Dropdead – Dropdead 2020 (Armageddon) – Providence’s Dropdead long-running (29

years!) extremely fast hardcore/punk/thrash(?)/grindcore (?) release their third album (among many singles). The only difference is this time the vocals are a lot clearer. You can really understand the lyrics, instead of the indecipherable screaming on their other material. Although I have liked all their stuff, I do find it more enjoyable to be able to sing along.

AC/DC – POWERUP (Columbia)
– The expression gets used a little too much, but a new AC/DC album is exactly what we needed after this year. This album is exceptionally good. I am not even a Brian Johnson AC/DC fan. Believe the hype.


Spotify Playlist With Two Songs From Each Release


https://open.spotify.com/playlist/30iSr9Vv56VdUpXu52SACF?si=Xd2Vj3mvTaOurNBYHTPiMQ

Monday, August 17, 2020

ALL! On A Major Label? Part One

It's definitely been said in this blog before that The Descendents/ALL are my favorite band and have b
een since I heard their song “80's Girl” aired on Towson State's radio station when I was about 15 years old. What may have not been stated is that I had been listening to both bands for about a year or so before even realizing they were essentially the same band. This may sound ridiculous but keep in mind it was 1988 the internet was not readily available and serious fanzines were hard to come by in the suburb of Columbia, MD. 

Plus even though the formats of their albums were kind of similar, the bands were on different record labels. The Descendents releases were on SST Records while ALL's were on Cruz Records. Matching up of band members, on every case card only listed by the first name, was a pretty difficult task since The Descendents had so many different members. Even though ALL's band members had remained constant, at this point ALL was up to their second singer. 

Full disclosure: The same thing happened to me with The Misfits and Samhain. Probably even longer since it would still be a couple years until I really got into The Misfits. 
  
  
Around 1990 when Allroy's Revenge was released I eventually figured it out and The Descendents and ALL became my favorite BAND. A couple years later ALL would secretly move on to their third singer Chad Price for 1993's Breaking Things album. In 1994 ALL was set to release their sixth album, second with Chad, named  Pummel. I was anxiously anticipating its release. 

Around this time the local “alternative” radio station WHFS had a show called “Now Hear
This”, focused on upcoming new releases. The show also had local bands perform in its closing section “Dave's Garage”. Offhand Washington DC's 
Frodus is the only “Dave's Garage" band I can remember. On the night I am passively listening to a Sunday night episode of “Now Hear This” when I heard Dave say, “Next we have a song from the new album by the punk band ALL”. 

Did I hear that right? Although the show did have some lesser-known bands in the past, most were still "modern rock” sounding bands on major labels or larger indies. Not melodic punk like ALL on small independent labels like Cruz Records. 

After the commercial Dave came back on announced the song. It was called “Stalker” and I was instantly floored. It was so loud. The song had Stephen Egerton's signature guitar but it sounded so much eviler. Karl Alvarez's bass sounded like it was plodding along much more distorted than anything I had heard him play before. Drummer Bill Stevenson sounded like he was beating his drums even harder than he usually does. But the most shocking aspect of the song was singer Chad's voice. He still sounded like himself but his voice sounded more growly and angry as he sang “I hear footsteps down the hall, I've been waiting right behind your door, No one will hear. Don't you worry my dear”? When he sings “It's your eyes, your smile, It's your hair, your face It's your life” he has reached almost demonic death metal style vocals, while guitarist Stephen Egerton plays Slayer-Esque riffs to close out the song. 

       When the song was over DJ Dave announced that the song was off their forthcoming album Pummel, still three months away from being released. But this time it would not be on Cruz. This one was coming out on Interscope. A major label. 

    
  
Before you think I am going to go on a "corporate rock still sucks" rant about punk or underground bands signing to major labels I've never felt there was anything wrong with it, It was always my belief if you worked hard, paid your dues, etc, which The Descendents/ALL definitely had done, good for you. Plus like I said in my Dear You entry, the independent labels were pretty hard to find in the suburbs, often resulting in not being able to obtain a copy for a while after its release. 
With Pummel coming out on a major I knew it would be able to be picked up the day it drops. 
  
No, I never get upset or anything when band signs with a major label with only one catch: They don't change their sound. After hearing Stalker premiered on that February night I feared that may have been the case with ALL. It would still be a couple months until Pummel would be released and I could find out